May 8

Who: These New Puritans, a quartet of art brats from Southend-on-Sea, England, that tore up the stage at SXSW, are currently making ears bleed and feet move throughout clubs in Europe and look forward to barnstorming America during their first U.S. tour in July.

Sounds Like: On their debut album Beat Pyramid, TNP smash the post-punk of Gang of Four into the dancefloor-ready anthems trademarked by their nu-raving peers Klaxons and Crystal Castles.” People usually say we sit outside of any particular trend,” singer/guitarist/computerist Jack Barnett tells Rock Daily.

Vital Stats:

May 8

At a recent New York club date, the Australian singer-songwriter Paul Kelly opened with a song about the end of things, “You Can’t Take It With You” — from a 1989 album with his old band the Messengers — then showed how far he is from done with a long set of true grit and cutting humor, mixing vintage gems like “Dumb Things” and the all-season Christmas lesson “How to Make Gravy” with highlights from the superb new Stolen Apples (Capitol Australia), due out here soon. Onstage, with his nephew Dan on guitar, Kelly was wry and tender in “You’re 39, You’re Beautiful and You’re Mine,” then perfectly dark — part recent grizzled Bob Dylan, part avenging Prince — in “Right Outta My Head,” a song about mending a broken heart with angry serial sex. (The opening line: “I’m gonna fuck her right outta my head.”) Kelly also writes about his native land the way the Band charted antique America — mapping the emotional as well as physical terrains. “The Ballad of Queenie and Rover,” on the new record, is based on two real-life Australian painters, a tale of art and dreams told by Kelly with detailed geography and precise affection. But there are few other songwriters on any continent sharp enough to pull off the street-lingo rewrite of the Garden of Eden story in the album’s title track: “So Adam bit and cried out, ‘That’s the bomb! That’s the bomb!’/Stolen apples taste the sweetest.” So they do.

May 8

Springsteen Plays Rare Theater Show
Jason Castro Overthrown on “American Idol”
Trey Anastasio Shreds at Jammys
News Ticker: Neil Young, Diddy
Say Anything & Saves the Day Collaborating
Madonna Preps World Tour
News Ticker: Amy Winehouse, Coldplay

Top stories from the last three days:

Ask a Rock Star: Paramore
On the Charts: Madonna
Win I’m Not There on DVD; Exclusive Clip
Breaking Artist: These New Puritans
Rev Theory Burn Their Way Across U.S., Up Charts
John Mayer Pairs With Judd Apatow for Video
Panic at the Disco: No New Album in ‘08
Radiohead Kick Off Tour in Florida
Walter Becker Q&A, Plus New Song
Gym Class Heroes Talk New Album, Busta Rhymes
The Police Announce Final Concert in NYC
Emmanuel Jal: The Tale of a Child Soldier Turned MC
On Tour: My Bloody Valentine, Sigur Ros
Smoking Section: Beastie Boys, James Hunter
Radiohead Video Contest Semi-Finalists
Springsteen Joins New Jersey Hall of Fame
Nine Inch Nails Release Free Album
Photo Gallery: Bamboozle 2008
Beck Planning Quick Release of New Album?
New Music Report: The Roots
Summer Movie Preview ‘08

Scroll down for full news stories, commentary and much more in Rock Daily.

May 8

  • Still questioning why Neil Young would release his mega Archives on Blu-Ray DVD and not compact disc? This short trailer for the DVD assuages all fears you might have had, as photos, video clips, interactive menus and music all merge for the first ten-disc volume of the Archives, focusing on Young’s work from 1963 to 1972.
  • After triumphantly returning to the stage at last night’s Jammy Awards, Trey Anastasio will next tackle this year’s Newport Folk Festival, to be held August 1-3 in Rhode Island’s coastal city.
  • P. Diddy is “spooked” by how much rapper Gravy resembles the Notorious B.I.G. in the upcoming biopic Notorious. “Gravy’s killing it,” Diddy said. He also complimented actor Derek Luke, who will play Puff Daddy in the film.
  • The “Divas in Dubai” concert, set to feature Mariah Carey and Fergie, has been postponed after “unforeseen logistical complications” forced the show to be pushed back to the fall ‘08.
May 8

It’s unclear exactly what motivated Bruce Springsteen to perform his Darkness on the Edge of Town and Born to Run albums in sequence last night at New Jersey’s Count Basie Theater. Maybe it was the fact that fans bid a minimum of $1,000 for tickets (the proceeds of which went towards refurbishing the theater) and he wanted to give them something special. Maybe it was because the last time he played a theater with the E Street Band in 1980 these songs were all relatively new. Maybe the recent death of founding E Street Band organist Danny Federici has made him reflect on the group’s early days. Maybe after a strenuous eight-month arena tour he was ready for something different. Regardless, the nearly three-hour marathon concert — entirely composed of songs from the 1970s — was the most powerful Springsteen show I’ve ever seen.

With the exception of the Darkness track “Factory,” all the songs on those two seminal albums are in regular rotation on his set list — but you’d have to attend about 15 concerts to hear all of them. The two albums have been at the core of nearly every E Street Band concert ever since they were released, particularly since the group reformed nine years ago. Hearing them in sequence for the first time ever on a stage made them even more moving. The despair of “Racing in the Streets” was perfectly followed by the hope of “The Promised Land.” Born to Run was even more carefully sequenced at the time to give the feel of twenty-four hours in a swampy Jersey day. The title track always feels victorious when played at the end of a long arena show, with the house lights on and fans holding their beers high. When played in a small, dark theater right after “Backstreets,” the desperation and restlessness seeped through every word.

Patti Scialfa — who helped organize the fundraiser — gave a speech before the show about the importance of saving historic theaters. NBC newscaster (and Jersey boy) Brian Williams introduced the band with tales of hanging out at the Stone Pony as a teenager hoping Bruce would show up. New Jersey Governor John Corzine sat in the front row, where he endured some jeers from fans about state taxes. Considering the ticket price, the crowd was obviously more upscale than a typical arena show. Surprisingly, they stood most of the night and seemed nearly as into it as your typical crowd at Giants Stadium. The event raised over $3 million to restore the delipidated Count Basie theater to its original 1920s glory. Proving nothing will please everyone, some schmuck still screamed “Rosalita!” throughout the night.

The four-piece Max Weinberg 7 horn section joined the already bulging nine-piece E Street Band on a handful of songs, leaving nearly every inch of the stage packed. Their presence made “10th Avenue Freeze-Out” one of the night’s highlights — and Mark Pender did an excellent job re-creating Randy Brecker’s trumpet intro to “Meeting Across the River.” Even with the help of an occasional horn section, Clarence Clemons was forced to work harder than he has in years and clearly deserves the MVP award for the evening. Since the 1970s, Springsteen’s music has utilized the saxophone less and less, which has let the 66-year-old Clemons take a rest on his Big Man throne during large portions of the show on this tour. Last night he had few opportunities to rest, particularly during the Born to Run section of the show — which all built towards his epic “Jungeland” solo. He passed the test with flying colors and seemed to be having a blast all night.

As Bruce let out the final moans of “Jungeland,” the audience didn’t know what song was coming next for the first time of the night. Keeping with the 1970s theme, the group played a rollicking version of the Darkness outtake “So Young and in Love” before launching into a ten-plus minute “Kitty’s Back” featuring solos from nearly everyone on the stage. “Who’s she with?” Bruce screamed at the end before diving right into “Rosalita (Come Out Tonight).” A cover of “Raise Your Hand” — a Bruce live favorite from the Seventies — closed out the night. For the first time in memory there were no encore, but nobody seemed to mind.

May 8

Saves the Day frontman Chris Conley says Two Tongues, his side project with Saves the Day guitarist Dave Soloway and Say Anything’s Max Bemis and Coby Linder, is going to have its premiere this summer. “We’re going to try to get a record deal sometime soon,” he tells Rock Daily. “But we want to have the album at least streaming online this summer.” Conley also reveals the quartet is planning to tour this fall.

The supergroup finds Conley and Bemis splitting vocal and guitar duties with Soloway on bass and Linder on drums, and reunites Bemis with one of his idols (check out his Saves the Day tattoo here) a year after the bands toured together in the States. “We’re great friends,” Conley says, adding his new collaboration won’t stop his original band from working on a new album. Instead, Saves the Day will also be working on its eighth studio LP this summer with a release scheduled for late 2008 or early 2009. “We’ll always be busy,” he says.

[Photo: Getty]

May 8

There will be no more easy-going, dreadlocked vibes on American Idol this season, as Jason Castro was shown the door on last night’s show. He was the most jubilant Idol reject in history, smiling like a goofball and shrugging as if to say, “I’ve been phoning it in for weeks and deeply miss my gravity bong.” He also had a tremendous exit line: When asked how he felt about being eliminated, Castro quipped, “Three songs next week — I don’t know what I would have done.”

Castro’s stonery weirdness seemed to permeate the entire elimination episode. The Ford commercial had everybody dressing up as matadors, the phone-in segment featured a lunatic suggesting Simon become the next James Bond and Maroon 5’s Adam Levine admitted he never knows what city he’s in just before telling the Idols they were going to get jaded pretty soon. The show closed with Castro’s exit montage (featuring the “I didn’t know this song from Cats was sung by a cat” line, the finest moment in television this year) followed by a reprise of a twitchy reprise of “I Shot the Sheriff.” With one show before the finale, it seems like it will be a battle between the two Davids. Will America side with syrupy moppet Archuleta or agrro-loverboy Cook? Or will Syesha Mercado pull off the upset?

[Photo: Micelotta/Fox]

May 8

So close, but no cigar: The four members of Phish all showed up last night to accept their Lifetime Achievement prize at the 2008 Jammy Awards ceremony, at the WaMu Theater in Madison Square Garden. But bassist Mike Gordon and drummer Jon Fishman just talked; guitarist Trey Anastasio and keyboardist Page McConnell played earlier in the evening but not together. The crowd was on its feet as soon as the band walked up to the podium, then sighed in unison as Phish briskly walked away, leaving members of the Disco Biscuits, String Cheese Incident and Umphrey’s McGee — billed as the Headcount All-Stars, in honor of the voter-registration organization — to play a spirited 40 minutes of Phish covers, including “Wilson” and “Run Like an Antelope.”

Anastasio’s surprise appearance on guitar was the night’s peak of ecstasy. He walked out in the middle of the Fab Faux’s note-perfect version of the Beatles’ “When My Guitar Gently Weeps,” soloing with bite and obvious pleasure, and stuck around for a guitar-chaos romp through “Everybody’s Got Something to Hide Except for Me and My Monkey.” Anastasio has been off the road for ages, by his standards, and in the news because of legal and drug problems. It was reassuring to see him play like his old self, even for 10 minutes. In his set, McConnell led a straight-up jazz quintet of monster improvisers including saxophonist James Carter, trumpeter Nicholas Payton, bassist Christian McBride and drummer Roy Haynes, now eighty-two. Their two long pieces gave everyone room to roam — and demonstrate the difference between mere jamming and blowing up the room.

The Jammys are an alternate-universe Grammys, a mix of industry glitz and pot-head bonhomie. Awards are given, speeches made (Warren Haynes and Grace Potter hosted with the right minimum of formality), and the performances are celebrity gumbo — mixtures of stars from the jam-band scene, well, jamming. But the combinations were strong, often delightful. Singer-guitarist Leslie West of Mountain slammed into “Mississippi Queen” backed by the Colorado power trio Rose Hill Drive. Squeeze singer-guitarist Glenn Tilbrook sang “Tempted” in duet with Haynes. The New Orleans funk band Galactic got off to a hot start, making Memphis thump with organist Booker T. Jones on Booker T. and the MG’s “Hip Hug Her.” Sharon Jones next took the mike for Albert King’s “Born Under a Bad Sign.”

Then human beatbox Doug E. Fresh got it and wouldn’t let go, leading the audience in old-school sing-alongs (this is a scene that knows Eighties hip-hop as cold as a ‘94 Phish setlist) and going one-on-one with Galactic’s Stanton Moore in a fantastic drum-and-air-percussion cutting contest. Upstairs, Jay-Z was holding court in the Garden’s big room, but there was no denying the party, in all of its roots and branches, going on below.

[Photo: Kravitz/FilmMagic]

May 8

After giving her old label Warner Brothers one last going-away present with the number one debut of Hard Candy, Madonna is ready to make good on her ten-year contract with Live Nation by launching her Sticky and Sweet Tour. The trek will kick off in Cardiff, Wales, on August 23rd, spin through Europe and then cross the Atlantic for an October 3rd show in East Rutherford, New Jersey. The Material Girl will then play stadiums and arenas throughout the U.S. before venturing down for a South America jaunt. Live Nation will produce the tour, Madonna’s first since her record-breaking Confessions tour raked in $260 million in 2006. Ticket prices will be in the $55-$350 range. Full tour dates to the first Sticky and Sweet leg are after the jump.

August 23 - Cardiff @ Millennium Stadium
August 26 - Nice @ Stade Charles Ehrmann
August 28 - Berlin @ Olympic Stadium
September 2 - Amsterdam @ Arena
September 4 - Dusseldorf @ LTU Arena
September 6 - Rome @ Olympic Stadium
September 9 - Frankfurt @ Commerzbank Arena
September 11 - London @ Wembley Stadium
September 20 - Paris @ Stade de France
October 3 - E. Rutherford @ Izod Center
October 6 - New York City @ Madison Square Garden
October 7 - New York City @ Madison Square Garden
October 15 - Boston @ TD BankNorth Garden
October 18 - Toronto @ Air Canada Centre
October 22 - Montreal @ Bell Centre
October 26 - Chicago @ United Center
October 30 - Vancouver @ BC Place Stadium
November 1 - Oakland @ Oracle Arena
November 4 - San Diego @ Petco Park
November 6 - Los Angeles @ Dodger Stadium
November 8 - Las Vegas @ MGM Grand Garden Arena
November 11 - Denver @ Pepsi Center
November 16 - Houston @ Minute Maid Park
November 19 - Philadelphia @ Wachovia Center
November 22 - Atlantic City @ Boardwalk Hall
November 24 - Atlanta @ Philips Arena
November 26 - Miami @ Dolphin Stadium

[Photo: Getty]

May 8

  • Amy Winehouse was released on bail after being arrested yesterday on suspicion of drug possession. A police spokesperson confirmed the arrest was related to the footage showing Winehouse allegedly smoking crack that circulated earlier this year.
  • Rapper DMX has been arrested on suspicion of racing on a highway and several other charges after being clocked driving 114 mph on a Scottsdale, AZ highway in January.
  • ESPN will be taking songs from Coldplay’s upcoming Viva La Vida or Death and All His Friends for soundtrack use during promotions for next month’s European Championship soccer tournament.
  • Investigators are blaming the suicide of a 13-year-old English girl on her love of emo music, in particular My Chemical Romance.

[Photo: Getty]

« Previous Entries Next Entries »